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The Sony PXW-FS5 Digital Motion Picture Camera has a 3G HD-SDI output capable of outputting 1080/60P and an HDMI output capable of outputting 2160/30P. To get 2160/30P out of these video cameras, you must use the HDMI output.įigure 2. These 4K UHD video cameras can record internally in 4K but have HD-SDI outputs that are limited to 3G SDI signals. This is the case in my own workflows with Sony FS5 ( Figure 2, below) and X70 video cameras. The Blackmagic DeckLink 4K Extreme is a PCIe card that can capture 2160/60P over HDMI, HD-SDI, and even optical fiber.
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These two 4K signals are common on Blackmagic video cameras, but have not gained widespread support among other manufacturers who rely on HDMI for 4K output.įigure 1. Ultra HD (UHD)/4K requires 6G for 2160/30P and 12G for 2160/60P workflows.
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The 1.5G HD-SDI standard is limited to 1080/60i signals, so I recommend considering 3G HD-SDI as the minimum for modern workflows as it supports 1080/60P signals. HD-SDI can be used to transport HD and 4K signals, so be sure to select a capture card that can accept the resolution and frame rates that you intend to work with ( Figure 1, below). Whenever possible in my workflows, I prefer to use HD-SDI cables because they offer a secure BNC bayonet connection, introduce less delay in the signal workflow, and don’t interconnect with every other interconnected device, as HDMI does. When choosing a capture card, the two most common video inputs you need to consider are HDMI and HD-SDI. In this article, I am going to explain what features to look for when you navigate the wide selection of capture cards on the market today. Selecting a video capture card is one of the more complicated decisions you will make when you put together a live switching and streaming workflow.
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